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Chris Do
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Chris Do

Pricing and selling creative work

Teaches designers and agencies how to stop selling hours and start charging for the outcome.

USA

Do runs an education business aimed at creative professionals, and his most useful territory is the one most of them avoid: money. How to price, how to handle the budget question, how to run the conversation before the proposal.

The recurring theme is that creative businesses undercharge because they price the deliverable — a logo, a website, a campaign — rather than what it is worth to the client.

Applies well beyond design

Any business selling expertise by the hour has the same problem: getting faster and better reduces your income. The move to pricing the outcome is the same move whatever the trade.

What they teach

Ask about the budget early, and without apology

Writing a proposal before you know the range is unpaid work with poor odds. The question is uncomfortable exactly once, and it saves days.

Price the outcome, not the deliverable

The client is not buying a website; they are buying more enquiries. The same file can be worth wildly different amounts to different clients, and hourly pricing throws that difference away.

Run a real diagnosis before you quote

The conversation where you understand the problem properly is where the value is set. Quote too early and you compete on price, because you have given them nothing else to compare.

Where to start

  1. The Futur — His education business — free videos and paid courses on pricing, sales and running a creative practice.
  2. The Futur on YouTube — Long-form recorded coaching and negotiation role-plays, which are the most useful part.

These links go to their own work. We summarise and point — we do not republish it.

Who it suits

Designers, agencies, consultants, freelancers — anyone who has ever been asked for 'a rough price' and regretted answering.

And who it does not

Aimed squarely at creative services. If you sell products, the pricing principles hold but the examples will not.

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